EFTA00770507.pdf
dataset_9 pdf 406.4 KB • Feb 3, 2026 • 6 pages
From: "HDtracks Press"
To: "jeevacation®gmail.com" <jeevacation®gmail.com>
Subject: HDtracks Newsletter for 09.24.09
Date: Thu, 24 Sep 2009 18:54:08 +0000
HDtracks Newsletter for 09.24.09
Enter HDtracks, a sound quality oriented download "store," where you can get 100 percent uncompressed,
DRM-free, bona-fide CD quality downloads and bum them to CD. HDtracks also supplies each CD's full liner
notes and cover art as a PDF.
- The Audiophiliac, CNetcom
Featured Label: Blind Pig Records
From their humble beginnings in the basement of an Ann Arbor, Michigan blues club in 1977, Blind Pig
Records has grown into one of the premier blues labels in the world. A virtual who's who of blues and roots
artists performed on the Blind Pig stage at one time or another - Otis Rush, Koko Taylor, Commander Cody,
Asleep At The Wheel, Roosevelt Sykes, Robert Lockwood, Mighty Joe Young, Johnny Shines, The Fabulous
Thunderbirds, Walter Horton, Bonnie Raitt, Eddie Taylor, Jimmy Rogers, and Hound Dog Taylor, to name a
few. Their incredible performances and the enthusiasm of the audiences led to the notion of recording this
memorable music and presenting it to fans beyond the confines of this legendary club. From the very
beginning, Blind Pig's belief in the creative abilities of the artists and their need to expand the limits of their art
form took precedence over a strict adherence to any narrowly defined musical idiom. As a result, the label's
natural progression has been to release albums not only in Blues, but also in the fields of Roots Rock, Zydeco,
Rhythm & Blues, and Soul Gospel.
Featured Artist: Muddy Waters
`Anyone who's followed the course of modem popular music is aware of the vast influence exerted on its
development by the large numbers of blues artists who collectively shaped and defined the approach to
amplified music in the late 1940s and early '50s. Chicago was the pivotal point for the development and
dissemination of the modem blues and virtually everything else has flowed, in one way or another, from this
rich source. The revolution began inauspiciously enough in 1948 with the release of a 78-rpm single by a
singer-guitarist called Muddy Waters. Coupled on Aristocrat 1305 were a pair of traditional Mississippi Delta-
styled pieces "I Cant Be Satisfied" and "I Feel Like Going Home," and on them Waters' dark, majestic singing.
Waters' use of amplification gave his guitar playing a new, powerful, striking edge and sonority that introduced
to traditional music a sound its listeners found very exciting, comfortably familiar yet strangely compelling
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and, above all, immensely powerful, urgent. From the start it was he who dominated the music, who led the
way - in style, sound, repertoire, instrumentation, in every way-first as a greatly popular club performer from
the mid-1940s on and, a few years later, as the most influential recording artist in the new amplified blues
idiom. In the years 1948-55 he put forth for definition the fundamental approaches and usages of modem blues
in a remarkable series of ground-breaking and, as time has shown, classic records. In the years since, the style
Waters delineated has been extended, fragmented, elaborated and otherwise commercialized, but the
fundamental earthy, vital, powerful sound of the postwar blues as defined by Muddy and his bandsmen has yet
to be excelled - or even equaled, come to that." - Pete Welding, excerpted from "Gone to Mainstreet,"
Bluesland, E.P. Dutton, 1992.
Featured Albums
The Lost Tapes Big Man Big Guitar [Livel
Muddy Waters Popa Chubby
These recently discovered performances Twelve of Popa Chubby's most inspired blues and
showcase a true blues legend at the height of his rock excursions culled from live concert
powers. The songs are culled from two live performances in France. The 72+ minute CD
appearances in 1971 by Muddy with a program spotlights Popa's scorching guitar
heavyweight ensemble of back up musicians. prowess and includes fan-favorite Chubby tunes
plus inspired covers.
96 kHz/24-bit and 88.2 kHz/24-bit releases on HDtracks
To HDtracks high-resolution store customers
We would like to remind you that beginning on October 1st, 2009, the prices for our 96/24 and 88.2/24 album
downloads will be changed from $15.98 to $17.98. This is your last week notice in advance of the change, so
you will have time to take advantage of our current price.
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Toivo Tulev: Songs (88.2kHz/24-bit) Spotless Rose (88.2kHz/24-bit)
Robin Blaze I Estonian Philharmonic Chamber Charles Bruffy I Phoenix Bach Choir
Choir I Paul Hillier
The Phoenix Chorale returns with an
Toivo Tulev, one of the principal figures in international anthology of songs to celebrate the
Estonian music today, contributes to a wide range Virgin Mary. The rewarding and unique
of styles. His works are deeply influenced by his programme, which includes premiere recordings,
study of Gregorian chant which gives them a will appeal to all lovers of beautiful choral
mystic, incantatory dimension. Paul Hillier singing.
directs this world premiere recording.
Cab Calloway Stands In For the Moon The Desmond Project (96kHz/24-bit)
(88.2kHz/24-bit) John Basile Quartet
Conjure
This is the first recorded tribute to Paul Desmond
All star Blues/R&B/Jazz/Latin band celebrating and his collaborations with Jim Hall and, in the
the work of African American genius writer/griot '70s, guitarist Ed Bickert. With his love of
poet, Ishmeal Reed, and music. "...just your melody, shimmering tone and spare, graceful
basic, everyday smoky-bluesy-swinging-funky- touch, John Basile falls into the same lyrical
literate-jazzy-tight improvised-crafted-ensemble tradition.
thing. In short, a model for intelligent, creative
pop music." -Don Snowden, Los Angeles Times
MORE NEW RELEASES IN 96 kHz/24 bit and 88.2 kHz/24 bit
Classical
BACH: Cantatas, Vol. 36 (BWV 6, 42, 103, 108) TCHAIKOVKY: Symphony No. 4 / Serenade in
Bach Collegium Japan I Robin Blaze I Masaaki C major / Elegy in honour of Ivan Samarin
Suzuki Gothenburg Symphony Orchestra I Neeme Jarvi
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Joy, fear and sadness, the various and conflicting In the cycle of Tchaikovsky's symphonies with
emotions inherent in the subject matter, are Gothenburg Symphony Orchestra conducted by
painted in Bach's incomparable musical language, Neeme Jarvi, we have reached the fifth
and transmitted in these performances by Bach installment. The time has now come to
Collegium Japan and Masaaki Suzuki. Among the Symphony No.4, which — along with No.5 —
soloists, Yukari Nonoshita and Robin Blaze are Tchaikovsky himself often referred to in the
well-known to the followers of this series, while context of `Fate', symbolized by a `fate motif'
James Gilchrist and Domink Weimer both appear which opens the work.
in it for the second time.
Jazz
The Navignr In My Pocket
Joel Frahm Greg Hatza
The Navigator finds Joel Frahm working with his The return of the organ to prominence in the
frequent collaborator, pianist-composer David 1990s has allowed Greg Hatza, who recorded two
Berkman, as well as bassist Scott Colley and albums for Coral in the late '60s, to make a full-
drummer Billy Drummond — the rhythm team of fledged comeback. For his second Palmetto date,
Andrew Hill's sextet — Frahm has crafted an Hatza generally avoids blues (other than "Move
exuberant and witty second album as a leader. Over" and the heated "Jump Street") in favor of
more challenging chord changes, but fits very
securely into the organ tradition.
Rock
The Good Earth NRBQ
The Feelies NRBQ
Bar/None Records is proud to re-release two In the fickle world of rock 'n' roll, it's very rare
classic albums from the critically acclaimed for a band to survive and thrive for 30 years. For
hyperactive alt rockers The Feelies. The Feelies a band to not only last that long, but to remain as
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second recording, The Good Earth, came some adventurous, innovative, and flat-out fun as the
six years later and was co-produced by Feelies' day it started is nothing short of miraculous. But
co-regents Glenn Mercer and Bill Million with that's just what NRBQ has done. In celebration of
REM's Peter Buck (a Feelies admirer since his their 30th anniversary, this 1999 release has the
days as a record store clerk). The Good Earth same title as the eponymous 1969 debut, and is
introduced the line-up that continues to this day. easily as energetic, enjoyable and irresistible as
anything this band has ever done.
World
Sessions de Rosiers Six Degrees of India - A Six Degrees Collection
MNO Various Artists
Michael Emenau, (MNO), has worked Six Degrees has always pioneered the fusion of
professionally as a classical and jazz musician, modem grooves with the music of India. Now,
composer, producer, and remixer for over 15 for the first time, they present a compilation that
years throughout North America, Asia, and packs some of the best tracks that we have
Europe. The "Sessions Des Rosiers" were released over the years for this region. Six
produced from 2005 to 2006, reflecting MNO's Degrees of India is filled with such leading lights
newest musical material written and influenced of Asian/Electronica as Midival Punditz, Cheb i
from his new home studio in Paris and Sabbah, Karsh Kale, Bombay Dub Orchestra,
celebrating the life of his newborn baby. David Starfire and many more.
More New Additions
Best Sellers
Fantaisie Triomphale (88.2kHz/24bit) reVisions: Songs of Stevie Wonder (96kHz/24bit)
BBC Symphony Orchestra I Rumon Gamba I Ian Jen Chapin
Tracey
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Following on from the tremendous popularity of Vocalist Jen Chapin, daughter of Harry, has
the two previous volumes, this is Ian Tracey's decided to take on the Stevie Wonder songbook
third symphonic organ works CD for Chandos on with the minimalist accompaniment of bass and
the enormous Willis organ of Liverpool saxophone alone, played by Stephan Crump and
Cathedral. Ian Tracey is well established as one Chris Cheek, respectively, and closely recorded
of the leading exponents of this music and his in audiophile sound. Cheek provides another
skills are brought out to the fore in this brilliant lead voice on tenor, baritone, and soprano,
selection of virtuosic works by some of the weaving and dancing around Chapin's keen
greatest masters of this genre, including Saint- interpretations, many of which, like "You Haven't
Saens, Guilmant and Dupre. Done Nothing," "Higher Ground," and "Big
Brother," have a just as much political resonance
in the '00s as they did when they were written.
iration Information The Smithereens Pla Syr nnmy_(96kHz/24bit)
Shuggie Otis The Smithereens
Inspiration Information, the brainchild of guitar The Smithereens decided to make a proper, all-
prodigy Shuggie Otis, more than justifies the cult out studio version of one of the albums that
following garnered in the years since its (largely inspired their rock dreams of becoming a band in
ignored) 1974 release. Shuggie was a late-'60s the first place, The Who's Tommy, for its 40th
celebrity due to his Super Session duets with Al anniversary tribute.
Kooper. Opting out of arena rock -- he reputedly
refused an offer to join the Rolling Stones -- the
19-year-old Otis spent three years in the studio
generating this one-man opus. His multi-tracked
rhythms recall the laid-back funk of the Meters
embroidered with psychedelic filigree, and his
voice resembles Allan Toussaint's. But in every
other regard, this is singular, sexy music,
dislocated in time.
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