EFTA01144456.pdf
dataset_9 pdf 534.9 KB • Feb 3, 2026 • 4 pages
Max's Kansas City
Max's Kansas City was a nightclub and
restaurant at 213 Park Avenue South, in New
York City, which became a gathering spot for
musicians, poets, artists and politicians in the
1960s and 1970s. It was opened by Mickey
Ruskin (1933-1983) in December 1965.
History
Max's
Max's quickly became a hangout of choice for
artists and sculptors of the New York School, like John Chamberlain, Robert Rauschenberg and
Larry Rivers, whose presence attracted hip celebrities and the jet set. Neil Williams, Larry Zox,
Forrest (Frosty) Myers, Larry Poons, Brice Marden, Bob Neuwirth, Dan Christensen, Ronnie
Landfield, Peter Reginato, Carl Andre, Dan Graham, Lawrence Weiner, Robert Smithson,
Joseph Kosuth, Brigid Berlin, David R. Prentice, Roy Lichtenstein, Peter Forakis, Peter Young,
Mark di Suvero, Larry Bell, Donald Judd, Dan Flavin, Richard Serra, Lee Lozano, Robert (Tex)
Wray, Carlos Villa, Jack Whitten, Philip Glass, Max Neuhaus, Ray Johnson, Malcolm Morley,
Marjorie Strider, Edward Avedisian, Carolee Schneemann, Dorothea Rockbume, David Budd,
Norman Bluhm, Kenneth Showell, Tiger Morse, Colette Justine, Lenore Jaffee, William S.
Burroughs, Allen Ginsberg, and Marisol were just a few of the artists seen regularly at Max's.
Willem de Kooning, Barnett Newman, art critics Lucy Lippard, Robert Hughes, Clement
Greenberg, and Harold Rosenberg, art dealers Leo Castelli, and David Whitney, whose gallery
was across the street, and architect Philip Johnson, occasionally would be seen there as well.
It was also a favorite hangout of Andy Warhol
and his entourage, who dominated the back
room. The Velvet Underground played there
regularly, including their last shows, in the
summer of 1970. It was a home base for the
Glam Rock scene, which included David
Bowie, Iggy Pop, Lou Reed, Alice Cooper, the
New York Dolls, Wayne County, Dorian Zero
and the Magic Tramps. While her band would
not play there until the second incarnation of
the club, Patti Smith and her boyfriend, artist Robert Mapplethorpe, visited Max's almost nightly
from 1969 through the early 1970s. Smith and guitarist Lenny Kaye also performed there as a
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duo New Year's Day 1974, opening for Phil Ochs. Many bands made early appearances there.
Bruce Springsteen played a solo acoustic set in the summer of 1972. It was the site of
Aerosmith's first New York City gig. Columbia Records president Clive Davis later signed
Aerosmith to his record label there. Bob Marley & The Wailers opened for Bruce Springsteen at
Max's, commencing Marley's career on the international circuit. Tim Buckley, Tom Waits,
Bonnie Raitt, Odetta, Dave Van Ronk, John Herald, Garland Jeffreys, Sylvia Tyson, Emmylou
Harris, Gram Parsons, Elliott Murphy and Country Joe were some of the musicians that played
there. Fashion designer Carlos Falchi was a busboy and Deborah Harry was a waitress.
By the end of 1974, Max's had lost popularity among the art crowd and the glam era was in
decline. The legendary establishment closed in December of that year. Ed Koch later had a
campaign office in the building.
Mickey Ruskin
Shortly after graduating from Cornell Law School, Mickey Ruskin opened The Tenth Street
Coffeehouse, which featured nightly poetry readings. He then opened Les Deux Magots, on East
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Ninth Street. His next endeavor was a bar called the "Ninth Circle Steak House" , a hangout for
artists and musicians on West 10th Street. After opening Max's Kansas City, he opened similar
restaurants including: the Longview Country Club (later known as Levine's Restaurant) which
was on 19th street and Park Avenue South, diagonally across the street from Max's and Max's
Terre Haute, on the Upper East Side, but they did not do as well. His next club was The Lower
Manhattan Ocean Club, on Chambers Street in TriBeCa. Ruskin's last enterprise was Chinese
Chance (nicknamed One U) a bar and restaurant that he opened in partnership with Richard
Sanders, located at 1 University Place in Greenwich Village. The French composer Duncan
Youngerman and the poet and mail artist Adam Czamowski both worked there as busboys.
Lauren Hutton, Ellen Barkin, Gerard Malanga, Joe Jackson, Joni Mitchell, Nico, David Bowie
and a score of other "Lower Manhattan" celebs hung out there, as well as the artists that formerly
frequented Max's and the doormen of the Mudd Club. Ruskin died in New York City on May
16, 1983 at the age of 50.
Max's II
Max's Kansas City reopened in 1975 under the ownership of Tommy Dean Mills, who initially
thought he would make it a disco. Peter Crowley, who had been booking the same, early punk
bands that played at CBGB, and Mothers, a gay bar on West 23rd Street (Manhattan), was hired
to book bands at Max's.
Under Crowley's guidance the club became one of the birthplaces of punk, regularly featuring
bands like New York Dolls, Wayne County and the Backstreet Boys, Cherry Vanilla, The Fast,
Patti Smith Group, Ramones, The Heartbreakers, Television, Suicide, Blondie, Talking Heads,
Sniper, The Dictators, The Cramps, Mink DeVille, Misfits, Annie and the Asexuals, The
Fleshtones, The B-52's and Klaus Nomi, as well as out-of-town bands such as The Runaways
and The Damned. After the breakup of the Sex Pistols, Sid Vicious played many of his solo gigs
there. Devo played several shows at Max's in 1977, including a show where they were
introduced by David Bowie as "the band of the future."
Max's original site closed its doors for the last time in November 1981. Bad Brains were the
headliner on the final night with The Beastie Boys opening. The building survives and now
houses Green Café, a Korean deli.
Max's Ill
Mills reopened the club again on January 27, 1998, at a new location — 240 West 52d Street —
site of the former Lone Star Roadhouse. However, it closed shortly after opening.
The opening had been delayed due to litigation by Yvonne Sewall-Ruskin, who claimed that she
owned the trademark to Max's Kansas City and was granted a temporary restraining order to
prevent use of the name.
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Aftermath
In 2000, Acidwork Productions, Inc., a production company founded by Neil Holstein (second
cousin of Mickey Ruskin) began working in conjunction with Victoria Ruskin (Mickey Ruskin's
daughter) on a feature length documentary about Mickey Ruskin and his many establishments,
including Max's Kansas City. In 2001, Yvonne Sewall-Ruskin established the Max's Kansas
City Project, in memory of the her late husband. In the spirit of Ruskin's philosophy of helping
artists in need, the project, a 501(c)(3) non-profit provides emergency funding and resources for
individuals in the arts in crisis, empowers teens through the arts.
Web site of only 35mm footage: http://www.youtube.comMatch?y=Ouyafxonocs&noredirect=1
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Document Metadata
- Document ID
- 09df53e7-9ceb-4900-82c3-37fd7ddafb0c
- Storage Key
- dataset_9/EFTA01144456.pdf
- Content Hash
- d09a0009da1852c56932a863a20ad718
- Created
- Feb 3, 2026